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Fine Art Restoration & Conservation

Restoring History.Preserving Beauty.

Expert restoration and conservation for paintings, works on paper, antiques, and fine art collections — guided by museum standards and a reverence for the original hand.

Museum-trained conservator 2,000+ works conservedNew Delhi & Mumbai
Smriti Rajput examining a manuscript folio under a magnifier and hand loupe in the conservation studio

In the studio

Examination · cleaning · structural repair

Masters whose works have been conserved

Amrita Sher-GilRaja Ravi VarmaM.F. HusainS.H. RazaF.N. SouzaK.H. AraJamini RoyAkbar PadamseeLaxma GoudSubodh GuptaAnish KapoorAtul DodiyaKrishen KhannaAmrita Sher-GilRaja Ravi VarmaM.F. HusainS.H. RazaF.N. SouzaK.H. AraJamini RoyAkbar PadamseeLaxma GoudSubodh GuptaAnish KapoorAtul DodiyaKrishen Khanna

A Practice Built on Trust

Museum-trained hands, scientific rigour, and quiet transformation.

The scrolling names above are masters whose works have passed through these hands.

6+Years of PracticeConserving works across mediums and centuries.
2,000+Works ConservedFrom archival paper to modern masterworks.
13+Masters ConservedIndian modern & contemporary masters, and more.
MuseumGrade TrainingM.A. Conservation, National Museum Institute.

In the Press

Conservation work for the National Museum's new Central Asian Antiquity Gallery — including the Buddhist silk and cotton paintings featured among these transformations — was reported as the gallery opened to the public.

The Times of India

What's on Display” · 20 June 2021

Transformations

The moment a work returns to itself.

Drag the handle to move between a work's condition before treatment and after. Each comparison is a real, documented conservation project from the studio.

01/06
Wall-Mounted Devotional Oil Painting — before treatment
Wall-Mounted Devotional Oil Painting — after treatment
AfterBefore
Drag to compare

Wall-Mounted Devotional Oil Painting·colonial period·Oil on panel

Read the case study
The Damage
Minor and major cracks throughout the paint layer, areas of active flaking, and a degraded varnish that had drained the colour from the surface — leaving the Virgin, the attendant angels, and the galleons below dull and indistinct. As a wall-mounted work, the options for testing were deliberately limited.
The Process
Soft-brush and tested solvent cleaning, consolidation of the actively flaking paint, careful filling of ground and support losses, and restrained retouching contained within the damaged areas alone.
The Outcome
Depth, contrast, and legibility returned across the whole composition — every face, wing, and sail reading clearly once more.

How We Work

Five considered steps, from first conversation to safe return.

We move deliberately. Nothing begins until you understand exactly what we propose, why, and how it can be undone.

  1. 01

    Consultation

    We begin with conversation — understanding the work, its history, and what it means to you.

  2. 02

    Assessment

    Examination under raking light, UV, and magnification produces a full condition report.

  3. 03

    Conservation Plan

    A written, costed treatment proposal — every intervention reversible and clearly explained.

  4. 04

    Conservation Work

    Meticulous studio work, documented at each stage with photographic and written records.

  5. 05

    Delivery & Guidance

    Safe return, a complete treatment dossier, and bespoke advice for the work's long life ahead.

Smriti Rajput inpainting a Mughal miniature painting under a fine brush
Close detail of surface cleaning an oil painting with a cotton swab

Craft & Conservation

Where the patient hand meets exacting science.

Restoration is a quiet discipline. We work slowly, by eye and by instrument — matching a single lost passage of colour can take days. What we add, we add reversibly; what we reveal, we reveal with restraint. The goal is never to make a work look new, but to let it speak again in its own voice.

01

Precision

Inpainting and tear-mending under magnification, matched until the eye can find no seam.

02

Restraint

We do only what a work genuinely requires — the most skilled intervention is often the smallest.

03

Science

XRF, UV fluorescence, infrared, and microscopy inform every decision before work begins.

04

Reversibility

Nothing added is permanent. Every treatment can be undone by the conservators who follow.

In Their Words

Illustrative — sample testimonials

Returned a cherished family painting as if time had been kindly reversed. The care was extraordinary — scholarly, patient, and deeply respectful of the work.

SC
Sample CollectorPrivate Collector, New Delhi

Questions

Answers, before you ask.

Still wondering about your particular work? Send us a photograph and we'll advise, without obligation.

  • If you notice discoloured varnish, flaking paint, foxing, tears, acidity, mould, or a general dullness, it may benefit from conservation. A complimentary assessment will advise you — sometimes the right answer is to do very little.

Begin

Begin with a single photograph.

Tell us about your work and a conservator will respond personally within two business days — complimentary, confidential, and without obligation.