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Art conservator using a fine brush to restore details on a historic oil painting canvas

Art Conservation & Restoration

Art Revive
Studio

by Smriti Rajput

Every canvas holds a lifetime of stories. We ensure they continue to be told.

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Masters whose works have been conserved

Amrita Sher-GilRaja Ravi VarmaM.F. HusainS.H. RazaF.N. SouzaK.H. AraJamini RoyAkbar PadamseeLaxma GoudSubodh GuptaAnish KapoorAtul DodiyaKrishen KhannaTyeb MehtaV.S. GaitondeNandalal BoseRam KumarGanesh PyneJ. SwaminathanK.G. SubramanyanHemen MazumdarSakti BurmanB. PrabhaK.K. HebbarSadanand BakreBhupen KhakharVivan SundaramSomnath HoreJogen ChowdhuryM.V. DhurandharAmrita Sher-GilRaja Ravi VarmaM.F. HusainS.H. RazaF.N. SouzaK.H. AraJamini RoyAkbar PadamseeLaxma GoudSubodh GuptaAnish KapoorAtul DodiyaKrishen KhannaTyeb MehtaV.S. GaitondeNandalal BoseRam KumarGanesh PyneJ. SwaminathanK.G. SubramanyanHemen MazumdarSakti BurmanB. PrabhaK.K. HebbarSadanand BakreBhupen KhakharVivan SundaramSomnath HoreJogen ChowdhuryM.V. Dhurandhar

A Practice Built on Trust

Museum-trained hands, scientific rigour, and quiet transformation.

The scrolling names above are masters whose works have passed through these hands.

0Studio LocationsOperating in India's primary art hubs: New Delhi & Mumbai.
0+Artworks RestoredFrom ancient manuscript folios to contemporary canvases.
0%Reversible MethodsEvery material used can be safely removed if needed.
MuseumGrade TrainingM.A. in Art Conservation.

In the Press

Conservation work for the National Museum's new Central Asian Antiquity Gallery was reported as the gallery opened to the public.

The Times of India

What's on Display” · 20 June 2021

Transformations

The moment a work returns to itself.

Drag the handle to move between a work's condition before treatment and after. Each comparison is a real, documented conservation project from the studio.

Modern Figurative Work in Ink & Wash — before treatment
Modern Figurative Work in Ink & Wash — after treatment
AfterBefore
Drag to compare

Modern Figurative Work in Ink & Wash·20th century·Ink and watercolour wash on paper

Read the case study
The Damage
Extensive water staining and heat-scorched edges had darkened the sheet to a mottled brown, obscuring the cool blue wash and threatening the fine ink hatching beneath.
The Process
Careful surface and aqueous cleaning to reduce the staining, worked in small controlled stages to protect the ink linework, followed by consolidation of the fragile, heat-affected edges and stabilisation for safe handling and display.
The Outcome
The blue ground and fine ink hatching were recovered beneath the discolouration, returning the work's original clarity and intimacy.

What We Do

A complete conservation studio under one roof.

From a gentle surface clean to full structural treatment, every discipline is practised in-house by specialists who never leave your work in unfamiliar hands.

How We Work

Five considered steps, from first conversation to safe return.

We move deliberately. Nothing begins until you understand exactly what we propose, why, and how it can be undone.

  1. 01

    Consultation

    We begin with conversation — understanding the work, its history, and what it means to you.

  2. 02

    Assessment

    Examination under raking light, UV, and magnification produces a full condition report.

  3. 03

    Conservation Plan

    A written, costed treatment proposal — every intervention reversible and clearly explained.

  4. 04

    Conservation Work

    Meticulous studio work, documented at each stage with photographic and written records.

  5. 05

    Delivery & Guidance

    Safe return, a complete treatment dossier, and bespoke advice for the work's long life ahead.

A conservator retouching a landscape oil painting by hand, palette in hand
Close detail of surface cleaning an oil painting with a cotton swab

Craft & Conservation

Where the patient hand meets exacting science.

Restoration is a quiet discipline. We work slowly, by eye and by instrument — matching a single lost passage of colour can take days. What we add, we add reversibly; what we reveal, we reveal with restraint. The goal is never to make a work look new, but to let it speak again in its own voice.

01

Precision

Inpainting and tear-mending under magnification, matched until the eye can find no seam.

02

Restraint

We do only what a work genuinely requires — the most skilled intervention is often the smallest.

03

Science

XRF, UV fluorescence, infrared, and microscopy inform every decision before work begins.

04

Reversibility

Nothing added is permanent. Every treatment can be undone by the conservators who follow.

In Her Words

Conservation is a quiet discipline. We examine before we intervene, do only what a work genuinely needs, and make nothing permanent — so that what returns to you is not a painting made new, but one free to speak again in its own voice.

SR
Smriti RajputCEO & Founder

Questions

Answers, before you ask.

Still wondering about your particular work? Send us a photograph and we'll advise, without obligation.

  • If you notice discoloured varnish, flaking paint, foxing, tears, acidity, mould, or a general dullness, it may benefit from conservation. A complimentary assessment will advise you — sometimes the right answer is to do very little.

Begin

Begin with a single photograph.

Tell us about your work and a conservator will respond personally within two business days — complimentary, confidential, and without obligation.